1205
Anniversary haiku
Is there something for
Forty six years? There should be;
We both deserve it.
Brian Hick 10.9.12
©copyright Sally Hick 30.7.24
1204
We did not want to go to France
But, since we've returned
Everything seems different.
You probably know why
But I'm confused.
This quiet unforced content
Seems oddly strange.
Normally a holiday might last
A few days, if we're lucky,
Then the clouds return
Reducing every hour to work
And Love to something we recall
But can't enact today.
Slowly we realise
That everything could be
Like this
At peace
At one
Not just when we're away
But now
And all I have to do is to accept
That love has been there
Even when
I feared that it had gone
And I was wrecked;
For love, which came so many years ago
Has never left me, even when I thought
I was alone, and all I had was nought.
Brian Hick September 2012
©copyright Sally Hick 25.7.24
1200
Why are we going to France?
This must be the end.
We've had enough
Of airport queues
To drive us round the bend!
Why are we going to France
When we can walk from home
Down to the beach
And back again
Without needing to roam.
Why are we going to France
When all we need is here?
The tide is out
The sun is up
Let's just sit by the pier.
Why are we going to France
When we can sit and think
On the terrace
Of this hotel
With Biddenden's to drink?
Why are we going to France
When the sea's so calm?
A two-year-old
Could jump the waves
Without coming to harm.
Why are we going to France
When, from across the bay,
The yachts and downs
Smile at us
Through the morning haze.
Why are we going to France
When we can always be,
Whatever the troubles
Dog the coast,
Beside this wine dark sea?
Brian Hick August 2012
©copyright Sally Hick 15.7.24
1199
Have I been too busy or can it be
That for the last three days
Nothing has prompted me to write?
Sitting here, pen in hand,
It seems as though the need to write
Has faded while the pile of things to do
Jostles for attention
And my mind,
Which finds it easy to write on the train
Or in a hotel bar
Cramps in the face of lists and letters,
Of emails and request for answers now.
Is this a poem?
Well, it looks like one,
And will have to do until
Something better comes along.
Brian Hick August 2012
©copyright Sally Hick 12.7.24
1197
The Romney, Hythe and Dymchurch Railway
In the August sun.
Look the guard's waving his flag,
Oh, won't this be fun!
An over-large American,
Concerned for her small hound,
Talks loudly all the way down to
New Romney, and the sound
Of her Primary Teacher's voice
Drowns out the hiss of seam;
And the lurking wine dark sea,
Which can just be seen
Between the houses on the coast
From Hythe to Dungerness,
Is ignored, in favour of
Her pooch's panting breath.
The train speeds up, the kids look out
To wave at all who stand
As we flash by, at walking speed,
Along to Romney Sands
Then through the tunnel to arrive
At our destination
For souvenirs and lunch perhaps
Brought at New Romney Station.
Behold the men who stand around
Admiring the Engineer
Who tinkers with the wheels and valves
Oiling here and there
While the mums sort out the kids,
Those bouncing for the loo
From those demanding an ice cream
Or something else to do -
'Cos if you're twelve, you're far above
All these childish things,
A family outing on the train's
Like - just - embarrassing.
But now it's time to take the train
Back along the line
Squashed with other visitors
All having a great time.
The whistle blows, we're nearly there,
Steaming to the station.
Bye ye' all. I hope you have
A really great vacation!
We wander back towards the car,
Left parked in the sun,
Wishing it were yesterday, for
The holidays are now done,
And even if the memory
Of days like this may last
All too soon they will become
Just smoke, circling the past.
Brian Hick August 2012
©copyright Sally Hick 10.7.24
1196
I've painted the shed and once again it seems
Like wood, rather than the grey expanse
Of dying timber, rotting on its beams.
I've painted the shed.
I had to wait until a sudden lance
Of sunlight held the field and hidden dreams
Basked in its warmth, as if the sullen trance
Of winter had been broken and soft streams,
Self motivated, brought the summer's dance
To saturation while the damp wood steams.
I've painted the shed.
Brian Hick August 2012
©copyright Sally Hick 9.7.24
1193
The sun is setting
Clouds hang pink and grey.
All is till;
But for the gulls.
It seems nobody told them about times & seasons,
Their hack and cackle does not rest at night,
It does not modify across the day,
And here, within our perfect English garden,
I hear
Finger nails tear down a dark chalk board,
The shriek of an arthritic hinge,
A rabbit eviscerated by a fox
Yet
Each would be more welcome
For at least,
One off,
They would cease in time,
But gulls...
Brian Hick August 2012
©copyright Sally Hick 2024
1192
Nessun Dorma
Our neighbour
With the big blue van
Wakes us up
When'er he can,
Slamming doors
Long before five
Just to check
We're still alive;
Then his dog
Barks from the door
As he loads
The van, before
Starting the engine
With a roar
And shouting to his wife,
To ensure
That all of us
Are now awake,
Before at last
His leave he takes,
So that, before
It starts to rain,
Everything
Is quiet again!
Brian Hick August 2012
©copyright Sally Hick 4.7.24
1191
The test
The Albert Hall is full of families
For a National Youth Choir Prom,
The noise and flashing cameras
Exceeded only by the Last Night.
A sixth month boy grizzles
In the row before me
Bouncing on his mother's lap
While she holds up the camcorder.
Now I realise there are two babies
Who take it in turns to be taken out
While the music rolls on,
Carefully choosing to cry their loudest
Just as the music is most hushed.
Will the music survive?
I follow the text as Flame begins
But am aware
Most of the parents have no programmes
Preferring to chat through the adult sections
Focussing only when their child sings.
Back home I listen on the radio.
This time the soprano is close to my ear
And the babies just a distant squeal.
Brian Hick August 2012
©copyright Sally Hick 3.7.24
1190
To the Master of Vectis
I'll set Medusa where you lay to dine
To ward off any evil that may chance,
With gifts from Ceres, Attis and the winds
Above a band of sea folk to entrance.
I will set Orpheus to guard your door,
Surrounded by the animals you love,
The monkey that you found in Appledoor,
Your rabbit and Britannia's turtle dove.
I'll give you gladiators in a fight
Gullus in his costume for the play
And Bacchus to carouse into the night
Thanksgiving for the wine and for the hay.
All this with scrolls like vines to link the stories
With frescoes to refelct their marbled glories.
My great-grandfather set up these mosiacs
And we've the tablets that he left behind
With instructions...
Brian Hick August 2012
©copyright Sally Hick 2.7.24
1190
To the Master Builder
We'd like the floors to show what we believe,
Not arrogantly, but so that our friends
Will know as they are welcomed and received
That kindness and acceptance to the end
Are at the heart of all that keeps us true,
Whether in the fields of ripening corn,
The cattle on the hills, or ale we brew
As our forefathers have done since that dawn
When they first settled Vectis and these hills
Were gradually shaped by Ceres' hand
Into the pastures and the wooded rills
Which succour all who venerate this land.
Is this too much to ask or can you find
Designs which will entrance a working mind?
Brian Hick August 2012
©copyright Sally Hick 1.7.24